Plein air oil on board. 20x20cm.
Plaque is Wack
30x20cm oil on canvas.
The 3 Amigos
Another still life. Im finding painting from life much more satisfying than using photo references. ‘The 3 Amigos’ Oil on canvas. 40x20cm.
Going Clean
Oil on canvas. 25cmx35cm. Lots of layers. Lots of struggling. Not entirely happy with the paint surface.
Bray Head Late Evening – Plein Air
‘Bray Head Late Evening’ Plein air oil on board. 25cmx25cm. 3 sessions.
Hugh 4
My mate Hugh again. I painted this in a different style, quite loosely by eye without a grid. As a result it has a life of its own, more of a character or carricature. Lots of layers. 40x50cm. Oil on canvas.
The Last Cream Donut
‘The Last Cream Donut’ Oil on Board. 26x25cm. My first finished painting since the still life workshop with Conor Walton. This composition and some of the techniques are lifted straight from his toolbox. I hope to integrate what I have learned into my own style in the coming months.
Hugh 3
I attempted to paint Hugh and Donna Marie. Alas, I gave her a mauling that was irredeemable so it’s Hugh by himself. Very hard to paint accureately this small…if an eye is off by a millimetre the whole face is thrown. 20x21cm. Oil on board.
Sliced Pan after Conor Walton
Moderately successful attempt at bread from a weekend still life painting course hosted by Conor Walton. Cropped to 40x25cm. Oil on canvas.
Lulu
A new commission. Lulu the Dachshund. Oil on canvas. 30x30cm.
At-At
20x20cm. Oil sketch on board. Part of a star wars triptych.
Tie Fighters
20x20cm. Oil Sketch on board.
X-Wing
‘X-Wing’ Oil sketch on board. 20c21cm.
Garden of Eden
40x50cm. Oil on canvas.
Choke
20x20cm oil on paper sketch.
Bray Harbour Winter – Plein Air
Oil on board. 45x21cm. First plein air of the year. Bray Harbour. Noon on a Wednesday.
Teddy Globe Van
Still life oil on paper. 40x20cm.
Peterson
30X30CM OIL ON CANVAS Jordan B Peterson
Tomatoe Apple Garlic
21×21.5cm Oil on board.
On Having No Head
‘On Having No Head’ – Oil on Canvas. 30x40cm. Part 3 of a self-portrait triptych I was attempting. It began with a portrait of my head on a purple background in a style reminiscent of 20th Century sci-fi novel covers. Next up was a still life inspired by Conor Walton using a geometrical composition focusing on several influential books Ive …